drew olanoff is a geek. he beat cancer...by blaming it. also brained up "Social Good", Gmail4Troops, BlogAbroad, and other stuffs.
New Tumblr is nice on android.
My name is Drew Olanoff, and I have over 10 years of marketing, PR, customer service and support, relationship building and management, product management, and technical support experience in multiple verticals. Online, including mobile.
I coined the phrase "Social Good" for online charitable movements, and invented the online "donation by action" charity model. I founded #BlameDrewsCancer
I pride myself on being a connector. Connecting people, stories, information. I have worked under some amazingly talented and gifted PR pros while working for startups as a "Director of Community", "Community Manager" and "Technology Evangelist". I have the knack of working stories both mainstream as well as online. Bridging that gap is my passion.
I am a leader AND a team player, and strive for nothing short of success. My life motto is "failure is not an option".
During my personal fight with Hodgkins Lymphoma, I created a website that leveraged tweets to raise money for charity. During my treatment, I was able to:
- Participated in official LIVESTRONG events as a Global Envoy
- Appeared on both national and local news (CNN, Fox Philadelphia) to talk about our mission
- Held a 24 hour livestreamed marathon to raise money for LIVESTRONG
- Worked with Drew Carey to raise money by auctioning off the Twitter handle @drew
Earlier Today, Twitter announced its Lead Generation product, making it easy for anyone to post offers to Twitter and have people claim them without having to leave Twitter.com.
Shortly after, a job ad posted to Twitter, with the ability to apply for the position without leaving Twitter.com was brought to our attention.
We believe it’s the first job listing to allows candidates to apply for the role without having to venture anywhere but the tweet page itself. We’ve attempted to get absolute confirmation from Twitter but the company’s response was “this isn’t something we can help you with.” Given the fact that Twitter’s Lead Generation features only launched a few hours ago, I think it’s fair to say this is the first.
Check out a screenshot of the job posting below and the link to it here. We woud have embedded the tweet but it seems the lead generation section isn’t a part of embedded tweets just yet.
Note: clicking “find out more” will send your email address to Demonware, the company hiring, and Zartis, the recruitment software company behind the listing itself (Disclosure: Zartis is the company behind our TNW Job Board).
Expect to see many many more of these. And as more appear, expect job hunters to include links to their CV in their Twitter profile, as well as more information about their skills, interests and passions.
Update:
Zartis CEO John Dennehy has reported back to us to say “”I can tell you without any doubt: we’ve got a better response to the Twitter ad tonight than anything we’ve ever seen.” Given the fact that this is something of a novelty, it’s hardly surprising. But a sign of its potential as a recruitment platform? Perhaps.
Image Credit / ThinkStock
Photo-sharing app Piictu announced today that it’s joining forces with Kandu, a mystery startup owned by Betaworks, and will be closing its own service as a result by the end of the month.
A blog post published by the Piictu team says that Betaworks “shares our vision and ideals of how technology is a catalyst for a better and richer world.” However, the partnership means that the Piictu app will no longer be available to users as of May 31.
“From the entire team we want to thank you for the great energy, trust and support you have brought to the community and we look forward to bringing you more fun, exciting and heartfelt products in the future,” the team added.
We’re excited to announce Piictu is joining Kandu, a betaworks company! Read more on piictu.com
— piictu (@piictu) May 22, 2013
If you’re a diehard fan of the service, however, all is not lost. Piictu says that users will be able to download all of the photographs that they’ve uploaded through the service until June 7.
Simply email piics@piictu.com using the same email address used during the registration process, and then specify which email address you would like them sent to. It’ll take a few days, but Piictu will then send though a file of some description with all of your photographs.
We covered Piictu all the way back in November 2011, when the fledgling startup was graduating from TechStars’ accelerator program in New York City. Rather like Instagram, users were encouraged to upload photos and give them a caption, before watching the flood of photo interactions and responses from other users.
It’s unclear whether this move is a simple partnership or part of a wider acquisition, but there will undoubtedly be a significant group of users who will be sad to see Piictu close.
We’ve reached out to both parties to understand the reasons behind this move and will update this article if and when we hear back.
Image Credit: Shutterstock/Brian A Jackson
I know, I know, the ‘Y is an Airbnb for X’ thing is a horse that’s been beaten to death already, and then some. Still, it happens to be an adequate way to describe Cookening, a brand new online marketplace for home-cooked meals that is making its debut today.
In essence, Cookening invites travellers to eat at local’s homes in the places they visit. The French startup is starting up in France (haha), targeting all foreigners who make their way to the République.
Kicking off with French hosts only (after six months of private alpha testing) makes sense for Paris-based Cookening though, as co-founder Cédric Giorgi explained to me.
After all, France is ranked as the top tourist destination in the world – ahead of the United States – and it is famous for its cuisine.
Basically, Cookening enables people to invite travellers into their homes to share an authentic local meal, with a pinch of culture to boot.
For hosts, Cookening provides a way to establish an online profile and a ‘table’ page showing pictures of his or her favourite dishes, and set a contribution price for guests.
Cookening adds 20 percent on top of that price as a commission.
Foreigners (which can be vacationers but also expats or business travellers) can visit the Cookening marketplace to select a table and connect with hosts to set up a meeting for a joint meal.
Payment is made via Cookening, and hosts only receive the money the day after the shared meal. Giorgi didn’t spell out the reasons for this, but I assume it’s a good way to ensure a trustful relationship between the parties and also helps avoid some of the awkwardness associated with coughing up dough for a meal in someone’s home on the spot.
It’s worth noting that Cookening is far from the only startup trying to become the ‘Airbnb for local food experiences’. Indeed, there are quite a few moving into the same direction, in particular Kitchen.ly, Melba, HomeDine, Super Marmite, Spotsupper and NewGusto.
There’s even a – quite interesting – Quora thread on the topic: “Will “Airbnb for food” be a successful business model?”
That said, Cookening is one of the first to come out of Europe.
Anyway, Giorgi pitches the new venture thusly:
“The moment we spend eating a meal with others is, by essence, a moment of sharing. Cookening wants to amplify that moment by creating a new moment of sharing around gastronomy between foreigners.
With a jeopardized economy, but also social isolation that has increased in the last few years, people want to go back to simple and authentic experiences, to conviviality. Sharing a meal in a warm atmosphere with foreigners meets exactly this need.”
After France, Cookening aims to go global.
As a current expat in Spain and frequent business traveller, I honestly think this is a great idea, and not just for foodies.
In the same way Airbnb makes me book fewer hotels as time progresses, I can totally see myself using Cookening or similar services to share authentic meals with locals rather than dining at the first random restaurant around the corner on my own.
I can also totally see people who like cooking but often only prepare food for themselves for whatever reason, signing up as hosts to share meals with foreigners and exchange culture with others.
Sébastien Guignot, co-founder and CTO of Cookening, put it this way:
“While we want to make Cookening a major player in the collaborative economy space, our main objective is to facilitate meetings between people from different cultures, with love for good food as a binder.
We want to connect people around food.”
Seriously, would you agree Cookening is on to something here?
Image credit: Thinkstock
Twitter unveiled the Lead Generation Card today, a new expandable tweet format which allows users to show their interest in a particular discount or offer that’s being promoted by their favorite brand.
When a user expands the tweet, they’ll see a description of the offer, as well a small button underneath that will allow them to instantly send their basic contact information – name, Twitter handle and email address – to the brand or business in question.
All of the information is pre-filled within the Twitter Card based on the users’ existing account settings, thereby avoiding the often tedious process of filling out an online form. As soon as the button is clicked, the information is sent securely to the account that sent out the offer.
Twitter has been testing the feature already with a handfulof brands including New Relic, Full Sail and Priceline.
The idea is to give businesses more opportunities to discover new customers, and also reduce the amount of time spent between spotting an offer on Twitter and actually paying for the product or service online.
It’s also far more sophisticated than the act of simply following an account on Twitter, or ‘liking’ a brand’s page on Facebook. The Lead Generation Card gives businesses and marketers a simple and direct means of finding new customers and ultimately more business.
So how could this work in the real world? Well, an obvious use case is product pre-orders. Microsoft unveiled its latest video game console, Xbox One, at a dedicated event in Richmond, Washington yesterday. Using the Lead Generation Card, the company could have tweeted a picture of the hardware and then asked its followers to give them their contact details if they were interested in pre-ordering the system. Then, once the console is available to order, Microsoft would instantly have access to a pre-generated list of potential customers.
It’s not clear at this point whether Lead Generation Cards are restricted to just Promoted Tweets, or if businesses can apply the new format to all of their tweets containing a suitable offer. Regardless, the new feature will undoubtedly attract renewed interest from brands and businesses looking to engage with their customers and also generate new leads.
“Today, the Lead Generation Card will only be available to our managed clients; we have plans to launch this Card globally and to small and medium-sized businesses soon,” Mitali Pattnaik, Product Manager for Revenue at Twitter said.
Image Credit: KIMIHIRO HOSHINO/AFP/Getty Images
Apple may be calling the overarching lawsuit flawed, but Penguin has confirmed it has reached a “comprehensive agreement” with the US State Attorneys General, and other private class plaintiffs, in the long-standing antitrust eBook pricing suit.
While the agreement was originally made back in December, Pearson, Penguin’s parent publisher, has now confirmed it will pay $75 million in consumer damages – as well as additional costs – to bring an end to all antitrust claims relating to eBook pricing in the US. This follows the recent news that it had also settled with EU authorities, after promising to terminate all eBook agency agreements with Apple.
Just to recap, we reported last year that the United States Department of Justice (DoJ) was proceeding with lawsuits against Apple and five major publishers – Hachette, HarperCollins, Macmillan, Simon & Schuster and Penguin – over alleged e-book price fixing. Essentially, the DoJ was investigating whether Apple’s deals with the publishers amounted to price-rigging, in the wake of the iPad’s launch back in 2010.
Simon & Schuster, Hachette Book Group and HarperCollins had previously agreed to settle for around the $70m mark, and MacMillan became the final publisher to agree a settlement earlier this year, paying $12m in the process. But with Penguin paying $75, this represents the single-biggest payout from the five publishers implicated in the case.
The Attorney General also confirmed the settlement earlier today, noting that the investigations and resulting litigation has recovered in the region of $164 million so far. “Consumers are entitled to a fair, open and competitive marketplace,” says Attorney General Jepsen. “This agreement is yet another step toward providing restitution to those consumers who were harmed by alleged price-fixing within the eBook market and will further ensure that, going forward, consumers benefit from fair competition in the sale of eBooks.”
Apple is continuing to fight, however, saying that its pricing spurred competition and e-reader advances. The court case kicks off on June 3.
As a result of today’s announcement, Pearson says it has made a $40m “provision for settlement” in its 2012 accounts, and says that an incremental charge will be added to Pearson’s 2013 accounts, put against the Penguin Random House joint-venture which is edging closer to being finalized.
Google has quietly rolled out its new conversational search feature in the latest version of its Chrome browser for Windows, Mac and Linux.
Users that hit up the Google homepage will now see a small microphone symbol in the right-hand side of the search field, as well as at the top of any page containing search results; it will ask for permissions to access a connected microphone, before enabling conversational search queries.
The update means that users can now search the Internet and ask Google questions from the desktop using only their voice. The idea is that people should be able to use words and phrases used in everyday conversation, rather than the strict keywords that have been embedded in our brains over the last decade or so.
The user could ask, for instance, ‘How do I get to Wembley Stadium?’, and Google will interpret the question and then serve up relevant route information via Google Maps. As with Google Now, the service also draws on information stored through other Google products and services. If the user asks when their flight is supposed to leave, or if they’re free later this afternoon, the service will automatically dig into Google Calendar to check.
Subsequent queries can then be initiated using the phrase “Okay Google”, similar to that found in its upcoming Google Glass hardware. Google is clearly developing these new search products as a context-sensitive personal assistant. Voice input might feel jarring for some, but the ability to discover new information on the Web and apply that to users’ own daily routine and information is a powerful concept.
As with Google Now, conversational search should help to provide users with information at the right time, when they need it. Bringing the feature to all major desktop operating systems should give all Google users access to the service, regardless of what device they’re using.
Image Credit: Adam Berry/Getty Images
In the week that Tumblr has been acquired by Yahoo, it’s interesting to see that Urturn, a service with a similar focus on user-generated content being shared by a youthful audience, has announced a $13.4 million Series A funding round. The round was led by Balderton Capital and coincides with the launch of Urturn’s mobile app for iOS.
Until January this year, Urturn went by the name of Webdoc and it initially developed an audience by allowing users to share multimedia collages encompassing images, videos, text and audio. The rebranding as Urturn saw the Switzerland-based startup focus on templates that added some direction to users as to what they could create. The templates also make sense when it comes to marketing partnerships, allowing users to create, say, their own personalised version of a musician’s album cover as a form of viral, meme-based promotion.
Indeed, music is one area that Urturn, and Webdoc before it has done well in. Acts such as One Direction, 50 Cent, Ellie Goulding and Alicia Keys have run campaigns in the past and recent sign-ups have included Snoop Lion and Will.i.am.
The iOS app, to be complemented by an Android version soon, is essentially a compact, portable version of the Urturn web app, complete with the tools needed to create and share template-based creations on the go. Quite why I decided to create an image called ‘I believe in the power of Rupert the Bear’, I don’t know but a few people ‘liked’ it, so I’m happy enough.
The Tumblr-esque nature of Urturn is particularly apparent when you start following people. Instantly, your feed screen fills with user-generated, meme-style creations that you can ‘like’ and ‘reshare’.
Interestingly, Urturn says that it isn’t charging for the marketing campaigns run on its platform at the moment. “We’re not charging for the promotional campaigns just as Twitter and Facebook are not charging for tweets or posts,” says co-founder and CEO, Stelio Tzonis. “Today, musicians don’t get promoted or do any monetzation on Urturn. But it has been really encouraging to get such a positive response from the music industry and we’re excited to see how other industries such as fashion will use it to engage with the user community.”
The funding will be used to continue to grow the business and develop the product. Balderton contributed 10.7 million, while the remaining $2.7 million comes from the private equity arm of Debiopharm Group.
➤ Urturn
In November, Microsoft and 21Vianet announced that they were working together to bring Azure, a infrastructure-as-a-service and platform-as-a-service product, to China. Today the firms stated that the service will go live on June 6th.
21Vianet, a Chinese company, claims that it is the “largest carrier-neutral Internet data center services provider” in the country, making it a sensical fit for Microsoft.
21Vianet has 81 data centers in 42 cities in China, meaning that it can serve Azure effectively in the country. Microsoft previously estimated that the number of firms that could use Azure in China is in the “millions.”
And, a key point: It is something of an early mover in the country. Amazon’s AWS suite of cloud products that compete with Azure have a data center in Singapore, and has a minor presence in Hong Kong.
The Azure-21Vianet has a hardware and scale advantage. It’s worth nothing, of course, that Amazon’s AWS services enjoy more market and mind share in most of the world, most notably in the United States. Still, China is a massive market, which could help Microsoft untip the current market facts.
Azure recently announced that its revenues had reached a run rate of $1 billion per year. Azure also recently announced that it is heading to Australia.
A short take on how seriously Microsoft takes Azure’s move to China: They sent Steve Ballmer, and the US Ambassador to China, Gary Locke, was on hand at the launch event. This is a big-dollar deal.
Final caveat: Given the public issues regarding cybersecurtiy and hacking, Azure in China could be a sensitive affair; if there is even a whiff of government interference, Microsoft could lose brand equity in other regions; the Chinese Internet market is in some ways unique, both positive and negative. Let’s hope that when it comes to data security, and government non-intervention, Microsoft has its path straight.
Top Image Credit: futureatlas.com
Remember Raining.fm, the Web app that streams the sound of rain and, erm, that’s about it?
Well, rather than being a quirky one-off, Raining.fm has now gone mobile – that’s right, you can now listen to repetitious rain loops on the move.
Now, I love the sound of rain as much as the next guy – there’s something very soothing about the pitter patter. But I just never in a million years imagined such an app would prove to be a viable product. However, Raining.fm notched up 100,000 unique visitors last month alone, which isn’t bad all things considering.
“One of the best things about Raining.fm for me is receiving emails from people around the world telling me how the site has helped them,” explains the founder, who goes by the name of ‘Neil’. “From military personnel and professors, to students and executives, Raining.fm can make anyone’s day, including my own.”
Costing $1.99, the mobile app – available for Android and iOS – is actually very nicely designed, featuring a rolling rain track with a volume control, and three different weather extremities.
It would’ve been a nice touch to include an animated GIF of falling raindrops, but we’ll have to make do with a revolving carousel of rain-related stills. You can choose from the original slideshow as seen on Raining.fm, plus a separate slideshow from a Facebook photo contest that was launched last year. The choice is yours.
Interestingly, you can also create your own custom rain mix, with individual volume controls for each element.
Now, you also have two timers at your disposal, one that fades and counts down to turning off – say, if you want to go to bed. And one that counts down to turning on, say, if you want to take a break.
“There has been an overwhelming demand for a Raining.fm mobile app, but we didn’t want to just rush out a bug-filled, bad quality app,” explains Neil. “We have taken the time to polish and refine our new app to make sure it is fun and easy to use just like our site. We are really excited to share the new app with everyone, and hope they love it as much as I do.”
An utterly simple and bonkers app you’ll no doubt agree, but if you love rain, you’ll love this. Raining.fm is available to download now, costing $1.99 (yup), which is a little cheaper than the likes of Rainy Mood.
Disclosure: This article contains an affiliate link. While we only ever write about products we think deserve to be on the pages of our site, The Next Web may earn a small commission if you click through and buy the product in question. For more information, please see our Terms of Service
Feature Image Credit – Thinkstock
Samsung is investing in hardware after the company agreed to spend 53 billion won ($48 million) to acquire a 10 percent stake in fellow South Korean firm Pantech, the country’s third-largest maker of mobile devices.
The company announced — via Yonhap News Agency – that the deal will “help further solidify” its relationship with Pantech, and in particular their joint work around smartphones, tablets and other areas of hardware.
Update: Samsung has confirmed the deal, providing a statement to TNW that explains it will be a passive investor with no input into Pantech’s management decisions — presumably to offset any anti-competitive concerns:
Samsung Electronics has agreed to acquire a 10-percent stake in Pantech, valued at approximately KRW 53 billion. The investment is aimed at solidifying our relationship with Pantech, a key component customer of Samsung. Samsung will have no involvement in Pantech’s business management in any way or form.
The duo already work together on semiconductor and display businesses, and, last year alone, Pantech is reported to have spent 235 billion won (around $211 million) buying electronics and components from Samsung affiliated businesses to order to build its devices.
The deal is quite unique in a sense, because devices from Pantech compete with Samsung’s range of smartphones and tablets, and it isn’t often that rival companies would collaborate in an investment deal such as this.
While the Pantech name is strong in Korea, where its sales trail only local rivals Samsung and LG, the firm has not tasted similar success overseas. At this year’s Mobile World Congress event, however, it caught the attention of media with the Android-based Vega No 6, the world’s largest full-HD smartphone, while its budget range — including the Discover, available for $50 on contract in the US — has garnered positive reviews.
Like other once strong electronics firms in East Asia, including most notably Sharp — in which Samsung is also an investor — Pantech has suffered financial issues of late. Last year, a five-year refinancing program was set up to managing its fiscal development, and Samsung’s investment will aid that.
With the deal, the world’s largest becomes Pantech’s third-largest shareholder, behind only chip-maker Qualcomm (11.96 percent) and the Korea Development Bank, which owns 11.81 percent.
The Pantech agreement follows Samsung’s decision to invest in Sharp in March. The firm agreed to spend 10.4 billion yen (around $112 million) for a 3.08 percent stake in Sharp, which will also grant it greater access to its technology.
Headline image via Jung Yeon Je / Getty Images
More to follow
Tempo, a smart calendar mobile app, has released an update bringing improved controls around event scheduling and communication to its users. With this release, people can now invite attendees to meetings, share events with their contacts, and communicate using the Gmail app for iOS instead of the native Mail client app on the device.
A useful tool to help people prepare for their next meeting, Tempo was created at SRI International, the non-profit research institute in Silicon Valley — the same one that introduced the world to Siri and her travel-related sibling Desti. The concept behind the app is that it’s a calendar. It takes all your meetings and events and provides you with the necessary information to help you be more productive with your time.
Tempo takes details inputted by users and enhances it by curating data through services connected to it, such as LinkedIn, Facebook, and Twitter accounts. The app will dig through emails, look at the location to pinpoint driving directions, and more.
With today’s release, users can now invite attendees to their events. Tempo will access your phone’s contact list and emails to find people that it thinks should be included. Anyone can be added to the event — similar to what is possible with both Google and Outlook’s calendar.
Additionally, users can now share events with people. This is different than the above new feature because when an event is shared, the recipient is not added as an attendee.
How this could come in handy is if you meet a friend and want to invite them to an event, say The Next Web Conference, they don’t need to scrounge online to find the details — through Tempo, you can forward the event details to them.
Finding the share option is a bit tricky. It’s actually under the “Message” option when viewing the details of a specific event. And it’s not a polished execution as you might expect. When sharing, the details will be embedded into the body of an email and be delivered to the recipient through the use of the iOS’s default Mail app.
But while sending emails through the Mail app might be normal for some, there are those who would rather it be sent through a cloud-based service like Gmail. Today, Tempo is giving users an option to send communications right from the Gmail for iOS app.
Tempo is available for free, and competes with Fantastical, Sunrise, and other smart calendar apps. It recently became available in its first international country: Canada.
Photo credit: Thinkstock
Disclosure: This article contains an affiliate link. While we only ever write about products we think deserve to be on the pages of our site, The Next Web may earn a small commission if you click through and buy the product in question. For more information, please see our Terms of Service.
A few weeks ago, Chris Dixon tweeted something thought-provoking:
What were the last Hollywood movies you saw about technology & the future that were optimistic? They seem to be systematically dystopian.
I happened to be sitting in a movie theater waiting for Iron Man 3 to start, so I tried to come up with a good counter-example. It’s a lot harder than I thought it would be. Then the pre-movie trailers starting playing. The new Will Smith (and son) flick, After Earth: dystopia. The new Guillermo del Toro flick, Pacific Rim: dystopia. Even the new Superman flick, Man of Steel, could be classified as a technological dystopia (more below).
Sure, there are some films — mainly smaller indies — that in some ways are starting to buck the trend. But overall, Dixon (and Peter Thiel, who Dixon says he got the idea from) are right: Hollywood seems to hate technology. Why?
My initial thought is simply that dystopia sells. It’s the same reason why the mainstream media covering technology tends to harp on the downsides of new tech, sometimes to the point of fear mongering. They are tracking you! They want to know your location! They want to record you going to the bathroom!
Most people are predisposed to fear what they do not understand. Hollywood’s futuristic films are simply playing to this fear in the same way that horror films are packed with moments meant to startle you.
This is nothing new. In 1927, Fritz Lang’s Metropolis — the very first feature-length science fiction film — told of a 2026 where the lower class workers power the technology for the upper class. In 1951, The Day the Earth Stood Still saw aliens bring a giant robot to Earth that would destroy the planet if humans couldn’t get their act together. The 1960 version of The Time Machine (based on the H.G. Wells book) had technology (nuclear weapons) destroying civilization. 2001. A Clockwork Orange. Soylent Green. Alien. Blade Runner. The list goes on.
The difference is that we now live in a society where advanced technology permeates all of our lives. Nearly everyone now walks around with computers in their pockets that are far more powerful than the computers that filled up rooms just a few decades ago. Nearly the entirety of human knowledge is now just a few clicks or swipes away at any given moment. The vast majority of our recent technological breakthroughs, I think everyone would agree, have been overwhelmingly good for society.
And yet, Hollywood still seems sure that this is going to change. That at some point, our meddling with technology will create HAL 9000 or Skynet, and technology will turn on us.
The example I ended up tweeting back at Dixon as an answer to his thesis was Star Trek. As Grantland noted recently in looking back at the 25th anniversary of Star Trek: The Next Generation:
Gene Roddenberry’s guiding vision of the Star Trek franchise was, famously, that it would offer an optimistic vision of humanity’s future.
And that largely held true through The Next Generation television series:
The Soviet Union collapsed a couple of years into the filming of The Next Generation, and the show’s optimistic future became startlingly coterminous with the optimistic present of the George H.W. Bush administration. Where else but space could you find a thousand points of light? The grand adventure of the NCC-1701-D was no longer to spread civilization, or even defend it; it was just to keep the machinery oiled. Remember 1991, America?
But the recent Star Trek films are a bit different. While I always liked how plot of Star Trek First Contact revolved around making sure a man takes the first flight at warp speed in space to usher in an era of peace on Earth, the actions are kicked into motion by the threat of the Borg — perhaps the ultimate in dystopian technology — taking over the Earth.
The latest Star Trek franchise seems to take a mainly glitz and glam approach to technology — bright white decks on giant starships accentuated with lens flares galore! But there also exists plenty of tech that is also horribly destructive. “Red Matter”, for example.
I saw the latest film, Star Trek Into Darkness, last week. While I enjoyed it, many Trekkie diehards did not. Certainly there are plenty of elements that are more Top Gun than the idea of using technology for exploration. I mean — minor spoiler alert — we have some sort of ultra weapons developed in secret and powered by some vague futuristic technology. And the man with the most technological know-how gets booted off the ship at one point for not wanting to mess around with these things.
Iron Man is another interesting example. It’s seems to be about technology used for good — but only to combat technology used for evil. So it’s basically neutral.
Then there’s the forthcoming Man of Steel. You might think this has little to do with technology (or at least what we commonly think of as technology), but as The New York Times reveals in a profile of the film’s director:
The film also emphasizes the world of Krypton before its annihilation — a bleak, utilitarian planet with sophisticated if downright creepy technology — and the treachery of the Kryptonian villain Zod (Michael Shannon), who finds Kal-El on earth. The result is an unapologetic science-fiction spin on Superman, and while that may shatter audiences’ expectations for pure, unalloyed realism in “Man of Steel,” Mr. Snyder said this approach was built into the DNA of the character.
Why is Superman on Earth? Because technology has led to the destruction of his home planet. I can’t wait to see what the author views as “downright creepy”.
Minority Report is one of my favorite recent sci-fi films. While the future envisioned there doesn’t seem so bad (and the filmmakers went out of their way to make the futuristic world as feasible and realistic as possible), the underlying premise is still pretty dystopian. Also: eye-scanning tech to show you ads. Spider-like robots that scan everything. This sure sounds like The New York Times’ idea of hell.
Another Spielberg film, A.I., paints a peaceful, yet melancholy future where technology tries to but can’t quite replace elements of humanity. It’s far from Utopia. Especially when you consider that ultimately — again, spoiler alert — all our technology can’t save the human race from extinction at the hands of another ice age. Even though our technology, the robots, live on!
Speaking of robots, one of the best sci-fi films I’ve seen recently is Robot & Frank. It’s a decidedly smaller type of science fiction that focuses on an elderly man’s relationship with his caregiving robot. The film is actually quite sweet, but again, hardly a full-on endorsement of technology.
In Gattaca, we again find a fairly peaceful and advanced futuristic society. But the core technology of the film, DNA sequencing — something rapidly becoming a reality in our actual world — has led to a world with a whole new level of prejudices.
The Matrix, Avatar, Prometheus, now I’m just looking over films I own that fit the mold. All are either dystopian or a net-negative for technology. The most positive one I can find is Contact, which still has plenty of negative technological elements (and this is a film based on a book written by perhaps the quintessential science/technology optimist, Carl Sagan).
Where is the It’s a Wonderful Life set in 2150? Are a few scenes from Back to the Future Part II really the best we got?
Again, I think the answer is that we already live in a technological utopia of sorts. No, the world isn’t perfect, but the recent advances in technology have given us so much. And people go to the movies to escape reality. It’s just too bad that science fiction films have essentially become horror movies.
Oh, Kim Dotcom. You just never stop surprising us.
Just hours after Twitter finally rolled out its long-awaited Two-Factor authentication feature to protect accounts, the Megaupload founder is claiming to have invented the entire mechanism… and he’s got a patent to prove it.
“But they won’t even verify my Twitter account?!”, he says.
The patent in question can be viewed here. Filed for in 1998 and published two years later, it lists a Kim Schmitz — Dotcom’s name before he changed it in 2005 — as the sole assignee.
For the unfamiliar, two-factor authentication is a mechanism intended to make it more difficult for hackers to access accounts that aren’t their own. When a user attempts to log in to a service from an unrecognized computer, the service sends a one-time password to an alternative device (like, say, a cell phone) known to belong to that user. At least theoretically, hacking a user’s account would thus require access to that device in addition to their password.
Google, Facebook, Twitter, and countless other monstrous sites all use two-factor authentication to protect user accounts, and Kim Dotcom’s tweets suggest that he hasn’t seen a cent from any of ‘em for the alleged “massive IP infringement.”
Google, Facebook, Twitter, Citibank, etc. offer Two-Step-Authentication.
Massive IP infringement by U.S. companies. My innovation. My patent—
Kim Dotcom (@KimDotcom) May 22, 2013
So, will he sue?
It seems he has at least considered it:
I never sued them. I believe in sharing knowledge & ideas for the good of society. But I might sue them now cause of what the U.S. did to me—
Kim Dotcom (@KimDotcom) May 22, 2013
But he quickly switched to a different approach; instead of getting into a legal battle with a bunch of giants, Dotcom would prefer that Google, et al. continue to use “[his] patent for free,” in exchange for financial assistance in his ongoing legal battle:
Google, Facebook, Twitter, I ask you for help. We are all in the same DMCA boat. Use my patent for free. But please help funding my defense.—
Kim Dotcom (@KimDotcom) May 22, 2013
All of our assets are still frozen without trial. Defending our case will cost USD 50M+. I want to fight to the end because we are innocent.—
Kim Dotcom (@KimDotcom) May 22, 2013
Given the rather broken state of software patents, it’s not impossible to imagine that there’s at least one other person or company out there that can claim to have invented it, with patent in hand. This patent held by Dynapass Inc., for example, was approved in 2006 for “Use of personal communication devices for user authentication.” We’re searching for other instances of similar patents.
As strange as it may seem for those who only know him as the founder of a file uploading site that was raided by the FBI last year, it would actually make quite a bit of sense for Dotcom to have security-related patents. His first brush with notoriety came in 1994, when he was arrested in Germany at the tender age of 20 for hacking calling cards. Those who spend their lives looking for security holes are often the same who come up with the solutions.
Fresh from closing its purchase of newsreading app Pulse, LinkedIn has made another acquisition to dive deeper into the mobile space. TechCrunch has found out, and confirmed, that the social network has aqui-hired Maybe, the social polling startup founded by Omar Hamoui — the man who set up, ran and then sold mobile ad company AdMob to Google for $750 million.
All staff from Maybe, except for Hamoui himself, are now at LinkedIn and working in its mobile division. That includes four engineers and one designer, LinkedIn has told us. Meanwhile, Maybe itself has now shut down. Financial terms of the deal are not being disclosed.
Maybe first emerged in June of last year, a startup that was incubated and spun out of Hamoui’s now-defunct startup generator Churn Labs.
Maybe was one of the contenders in the area of polling startups — an area that has seen some other M&A activity, specifically with the acquisition of GoPollGo by Yahoo. Others include Seesaw, Fashism and Thumb.
It’s not clear why Maybe closed up shop so fast. Maybe because the polling space is so crowded? Maybe because Hamoui is working on something else? Maybe because LinkedIn made Maybe an offer it couldn’t refuse? LinkedIn is not commenting further, and we have not yet heard back from Hamoui himself. Maybe we will update when we do.
Update: Hamoui has now responded to confirm the acqui-hire as well, and explain a little more of what went on:
“After a number of different product directions we didn’t feel that what we were building was having the impact we wanted,” he says.
Putting aside competitive pressures in the polling space and startups in general looking for just the right product for the market, there is a connection between LinkedIn and Admob: Kevin Scott, SVP of Engineering at the social network, was previously VP of Engineering at AdMob. TechCrunch understands that after Hamoui and his two co-founders, Haider Sabri and Wayne Pan, met with him, they all decided it would be a natural next step for the mobile-focused team that they had built up.
“Although we had plenty of cash of in the bank, we were really impressed with the team and vision at LinkedIn,” says Hamoui. “Having the excellent mobile focused team we had built join them was clearly a way to have the kind of impact we were hoping for.”
Hamoui says the his own next steps “aren’t locked down yet.” We’ll definitely keep you posted with what we find out.
Cloud encoding vendor Encoding.com launched Vid.ly a couple of years ago to provide video creators with a way to publish a single universal video URL and then have that content accessible on any device. Now it’s providing a way to monetize those videos, thanks to an integration with ad delivery platorm FreeWheel.
The idea behind Vid.ly is that Encoding.com does all the hard work of encoding it into as many video formats and renditions as necessary, then serving up the appropriate copy of the video depending on which device was accessing it. In addition to transcoding, it also provided all of the storage, video player technology, device detection, streaming, and analytics needed by video creators. Customers could simply connect with the Vid.ly API and have a single universal URL created for them.
All of that’s great, especially for brands and agencies and marketers who wish to make their videos playable for all audiences on every PC, mobile phone, or tablet. But what Vid.ly didn’t provide (until now) was a way to monetize all of those videos. Hence, the partnership and integration with FreeWheel.
By integrating with FreeWheel’s ad-serving platform, Vid.ly will be able to provide all the same convenience and reach to publishers, but it will also enable them to monetize those videos across all those devices. By connecting with Encoding.com’s user interface or API, when a video is requested, Vid.ly will pass along user info to the FreeWheel ad server and pass along targeted ads along with the video. Pre-rolls, mid-rolls and post-rolls, as well as banner overlays, will all be supported.
Encoding.com has raised $4.5 million since being founded in 2008. While Vid.ly is a growing piece of its business, the company is still primarily focused on providing cloud encoding services to a growing number of publishers moving their content online.
GiftCards.com, a Pittsburgh-based company that has been around for more than a decade and has sold 5 million gift cards, agreed to buy San Francisco startup Giftly to grow out a mobile platform.
The terms of the deal weren’t disclosed, but Giftly had raised about $2.8 million from investors including Baseline Ventures, SoftTech VC, Floodgate, Thrive Capital, and Techstars’ David Tisch.
Giftly’s acquisition follows a number of other ones. Karma was picked up very early by Facebook although it may not produce meaningful revenue for some time for the social network, according to its earnings results earlier this year. Another gifting startup, Giftiki, which pooled together people’s money to get gifts, was acquired by Launchrock.
Giftly built a platform that avoided the hassle of individually dealing with merchants and point-of-sale systems. They came out with a native mobile app last fall that made it easier to send presents to friends and family.
The company’s platform didn’t put any limitations on what kinds of presents you could send because the company had a web of relationships with banks and credit card processors. When a recipient would go to redeem their gift, they would pay out of their own pocket, but Giftly would reimburse them that amount through their credit card.
GiftCards.com said Giftly will be rolled into their operations, but will maintain offices in San Francisco.
“We will continue to build out Giftly,” said Giftly’s CEO Timothy Bentley. “Our backend infrastructure will be used for their next generation products. We’ll continue to expand
the ways our technology and services are available to developers, through our API, and merchants, through our merchant services.”
The company is also looking to raise a first venture round, even though it’s been around for more than 10 years. That round will go toward completing the acquisition of Giftly. GiftCards.com has been around since 1999; they sell personalized, pre-designed and discount gift cards.
After scores of accounts were potentially compromised a few months ago, Twitter today launched two-factor authentication through SMS to protect people from hacks and phishing scams on the web. Unfortunately, it may not help shared accounts like big brands and news agencies where multiple people need to be able to log in and out but only one phone number can get the login verification codes.
Following the Twitter security incident in February where hundreds of thousands of accounts had to have their credentials reset, the tech world demanded Twitter offer two-factor authentication. Wired’s Mat Honan reported last month that Twitter was internally testing the feature. But since then, several prominent accounts including the Associated Press had been hacked through phishing tricks that the security feature could have prevented. With two-factor authentication now in place, we’ll hopefully see fewer compromised individual accounts.
However the brands and news outlets whose accounts are the most valuable to hackers may not benefit from the feature. They can only set one phone number as the recipient of the two-factor authentication codes, but may have several staff members who need to access the account. If they enabled it, whoever carried the phone registered with Twitter would have to relay the code to all the other staffers to get it to whoever needed it. That hassle might prevent shared accounts from turning on login verifications, and so the hackings may continue.
Hopefully the fact that Twitter labeled its security blog post “Getting Started With Login Verification” means more advancements are on the way that might protect shared accounts. Twitter’s product security team member Jim O’Leary writes “much of the server-side engineering work required to ship this feature has cleared the way for us to deliver more account security enhancements in the future. Stay tuned.”
The feature is rolling out now. If you don’t see it in your account settings, you should soon. To enable two-factor authentication, check the box next to Account Security that explains “Require a verification code when I sign in.” You’ll need to enter your phone number if you haven’t already saved it with Twitter. Once you receive a confirmation SMS on your phone you can complete activation of the security feature.
From then on when you enter your name and password to log in on Twitter.com, you’ll get a text message with a verification code you need to enter to prove you’re the account owner. The idea is that if someone steals your name and password, they probably don’t have your phone, too, and they need both to login as you. Twitter’s “login verification” doesn’t work with its mobile apps, though, so you’ll need to use temporary app passwords to stay safe when logging in on your small screen.
You can watch a video here or below to learn how to use Twitter’s two-factor authentication. You can also check out its help center documentation.
We’ve confirmed with Twitter that it has rolled out a new part of its #Music service for the web, charts that we were accustomed to from the company We Are Hunted, that it acquired and now powers the service.
The charts are broken up into a few areas: the familiar genre breakdown, as well as some categories like “Superstars” and “Unearthed” that appear to be built based on current Twitter trends and trajectory of artist mentions. This is leveraging all of the data that Twitter is collecting from tweets that include links to tracks from popular and emerging artists.
As you click on each category, the tiles on the page swap out quickly, letting you surf around to find new artists and songs. The categorization was a necessity to be able to find hidden gems, as the original breakdown of Popular and Emerging changed so rapidly:
These are the types of charts that will get artists themselves more engaged on Twitter, as well as catch the attention of record labels who want to know what people are saying about the musicians that they’ve signed. Everyone in a band wants to know how well they stack up against others. In fact, some artists didn’t see the service coming at all, and were pleased with all of the new attention they were getting.
The service, which is still finding its footing, is still in the mode of getting musicians to participate by getting on Twitter and engaging with their fans. That engagement gives them a better shot of shooting up the charts and being found. With the addition of charts, which music listeners are also familiar with, people will be able to go deeper in finding songs that fit the genre that they like the most. Rather than waiting for Twitter to pair you with matches that it’s taking a guess on, the power is now in your hands.
If you’re an Rdio or Spotify user, then the entire #Music experience is seamless, but if you’re only buying music from iTunes, you’re not getting to hear full tracks within the app. It’s going to take a while for #Music to grip, as are a lot of Twitter’s “discovery tools.” As the company onboards more people who aren’t interested in tweeting, just browsing, they will benefit from sites like #Music being broken out. For those who are actively tweeting, it’s kind of neat to imagine that your support through tweets could shoot a band or artist up the “charts.”
These charts aren’t available for the Twitter #Music iOS app but are available to everyone on the web today.
For this week’s episode of Founder Stories, I sat down with Ilya Sukhar, co-founder and CEO of Parse. The interview was taped days before Parse was acquired by Facebook last month. Parse is a cloud app platform that provides a set of SDKs that enable developers to focus on the execution of their application instead of rebuilding backend functionality for every mobile platform. Sukhar shares his experience of leaving Salesforce and going through Y Combinator.
Sukhar, who entered YC as a solo founder, was connected to co-founder Kevin Lacker through Paul Graham. The duo then joined up with another co-founding team about a month into YC to build Parse.
“It was a big risk,” says Sukhar. “The founding relationship is a really deep one and there’s a lot of ups and downs to go through together.” Having only known his co-founders for a short time before deciding to work together, Ilya explains the risks and reality of starting a company with strangers. “It worked out well for me but I would not recommend it to other folks.”
In the later half of our discussion, Sukhar explains how he uses arguing tactics to learn whether an employee is a good fit and why stepping back from coding to focus on under-staffed areas of the company has given him the opportunity to learn more about each role before hiring someone to fill it.
Editor’s Note: Michael Abbott is a general partner at Kleiner Perkins Caufield & Byers, previously Twitter’s VP of Engineering, and a founder himself. Mike also writes a blog called uncapitalized. You can follow him on Twitter @mabb0tt.
Another step for Adobe in its bid to become the go-to place in the cloud for those working in design and other creative industries: it is acquiring Thumb Labs, a bootstrapped, New York-based mobile app design agency.
Jared Verdi, one of the co-founders of Thumb Labs along with Rich Kern, tells TechCrunch that financial terms of the Thumb Labs acquisition are not being disclosed.
The news follows on from Adobe’s acquisition of another New York-based design startup, Behance, a platform for designers and others in the creative industries to share their work, which Adobe picked up in December 2012 reportedly for around $150 million. Earlier this month, Adobe put the Behance acquisition into context when it announced a massive push on its Creative Cloud strategy, with social/community features powered by Behance.
Verdi tells TechCrunch that Thumb Labs will see out existing contracts it has with other clients, but as of May 31, it will focus its efforts exclusively on making mobile apps for Behance.
That’s a position it knows well. Thumb Labs, which officially launched as a business in 2011, created the first mobile app for Behance, and as it points out in a note announcing the deal on its site, “We have been working closely with their talented team ever since.” That’s included a new version of the Behance app, and its Creative Portfolio app. There are under 10 people working for Thumb Labs right now, Verdi says, and all of them are joining Adobe, based out of New York.
Thumb Labs’ other clients have included a roster of startups, such as TechStars alum Bondsy (a platform to trade goods with friends); CanDoBaby (an app to make baby books); and ReadyForZero (a debt management app).
The main part of Thumb Labs’ work will now be focused both on maintaining Behance’s existing apps, as well as developing new ones. This will include “definitely some tablet work”, including an iPad app, as well as apps for more platforms beyond Apple’s, and in general making Behance’s main site design responsive so that it’s more mobile-web friendly.
Over time, there will be more focus on other Creative Cloud initiatives, which makes sense considering how linked the rise in cloud services has been with the boom in smartphone and tablet use. “We’ll also be working with other teams at Adobe for integration into the Creative Cloud. Mobile is a big part of that,” Verdi said.
In a way, getting acquired by Adobe is a natural fit for a design house like Thumb Labs, and Verdi says that it’s coming at a key time of change for its new owner. “In the creative profession everyone uses Adobe products, and the new focus on Creative Cloud is the biggest change we’ve seen in a while,” he said. “They’ve announced a number of exciting things, and hopefully we will be a part of them, too.”
The Startup Battlefield competition at our Disrupt events is like a mini startup school. The dozens of chosen startups that go through the Battlefield training process end up with solid presentation skills, hard-earned pitching prowess and newfound courage.
And also, lots of public visibility, which is great for getting users, hiring top employees and luring clients and investors.
The Battlefield has gone so well that our current staff has been getting overwhelmed by the record number of applications. We need help, so we’re creating a new position called the Battlefield Editor.
We’re looking for a bright, talented person to help manage the entire process, from bringing in applicants to picking the 30 finalists and getting them ready for the Disrupt stages in San Francisco, New York and, this year’s addition, Berlin. In this position, you’ll also get to give out a huge trophy and a big cardboard check for $50,000 to one lucky startup, as they debut to the media and the investor world. Battlefield winners and finalists have included huge success stories like Mint and Yammer among others.
Are you already in the Startup Whisperer role at a popular accelerator and think you can take your show on the road? Read TC every day, just finished your MBA and want a more meaningful job than McKinsey? Can you find the Next Big Thing? Send your resume and a letter explaining your interest here.
Job Description
TechCrunch is looking for someone to oversee the Startup Battlefield process in all its phases — including applicant recruitment, applicant review and final selection (working under the direction of TC’s co-editors), finalist training and rehearsals, and finally stage management at Disrupt. The role’s title is Battlefield Editor. In addition to those responsibilities, the role will focus on expanding our network of angels, incubators, VCs and accelerators to recruit a stronger pool of Battlefield applicants, strengthening our rehearsal program, and developing the Battlefield franchise, both online and offline, for applicants and alums.
The role requires a strong writer who can post on TechCrunch about Battlefield matters, as well as manage many threads of communication with the many parties who make up the Battlefield. The core of the job is a strong ability to work with relatively green, unlaunched startups and prepare them to present brilliantly on the TC Disrupt stage before a group of highly distinguished judges. That preparation process takes enormous focus and commitment. Beyond that core requirement, the role will also work to help expand the Battlefield franchise in a variety of ways, including improved ties with Battlefield alums.
Candidates should have deep experience in the Silicon Valley startup world and direct experience working with startups and investors to help shape new ideas and prepare them to pitch investors. They should possess very strong personal and written communication skills, outstanding organizational skills, a high capacity for detail work, and a very patient and winning attitude.
After previously investing in the company, Google has now acquired Makani Power, a green energy startup that is currently building airborne wind turbines. The acquisition was first reported in Brad Stone’s Businessweek story about Google X, and judging from Stone’s story, the team will join Google X. Google invested $10 million in the Alameda, Calif.-based company in 2006 and another $5 million in 2008. As far as we can see, this also marks the first time Google has acquired a company specifically for its Google X skunkworks.
Stone reports that Google CEO Larry Page approved the acquisition, but as Google X’s director Astro Teller notes, Page said that X “could have the budget and the people to go do this, but that we had to make sure to crash at least five of the devices in the near future.”
The company was founded by Saul Griffith and Don Montague, a former World Cup windsurfer. The price of the acquisition was not disclosed.
Google has confirmed this acquisition and provided us with the following statement from Astro Teller, Google X’s “Captain of Moonshots”:
Creating clean energy is one of the most pressing issues facing the world, and Google for years has been interested in helping to solve this problem. Makani Power’s technology has opened the door to a radical new approach to wind energy. They’ve turned a technology that today involves hundreds of tons of steel and precious open space into a problem that can be solved with really intelligent software. We’re looking forward to bringing them into Google[x].
Makani says it hopes that this acquisition will provide it with “the resources to accelerate our work to make wind energy cost competitive with fossil fuels.” The acquisition comes just a week after the company completed the first autonomous flight of its Wing 7 prototype.
Here is how TechCrunch columnist Matylda Czarnecka described the project back in 2012:
The Makani Airborne Wind Turbines, which resemble mini airplanes, are launched when wind speeds reach 3.5 meters per second. Rotors on each blade help propel it into orbit, and double as turbines once airborne. The blades are tethered to the ground with a cord that delivers power to throw them into the sky and receives energy generated by the turbines to be sent to the grid-connected ground station.
Some of the Internet’s most notable personalities are bringing attention to the need for immigration reform in a 36-hour social media marathon, The March for Innovation. It’s an issue we know our readers care about, so we’re thrilled to give you the opportunity to join part-time superhero, full-time mayor of Newark, definitely-maybe Senate candidate, and one of The Most Innovative People In Democracy, Cory Booker, in a rousing town hall. Mayor Booker and I will be answering questions on Twitter and responding to a few reader questions in our comments (officially begins Noon PT).
Background
As I’ve written about before, the United States definitely has a costly tech-talent shortage, which can only be filled by attracting the best and brightest from around the world. Despite near unanimous support for more high-skilled immigrants, the United States Congress could not move forward without a comprehensive package that included all foreign-born workers.
A set of proposed drafts that will eventually become a single comprehensive bill is currently winding its way through both chambers of the Congress; sticky issues on agriculture workers, border security, gay rights, and an abusive high-skilled visa system threaten to derail any progress at all.
How To Influence
As Senator Jerry Moran (CrunchGov Grade: A) told me, policymakers really do respond to public pressure, especially social media. The March For Immigration isn’t about advocating a particular position, but about letting Congress know that the electoral consequences of failing to pass a bill will be greater than passing an imperfect one.
To participate in the discussion, comment below and/or tweet Booker (use hashtag #iNewark).
Here are a few very important questions that citizens should be asking
We look forward to your insightful ideas.
Have you ever wished that you could navigate through the apps on the phone as easy as clicking links on the web? Such a thing may now become a real possibility thanks to a new service from Cellogic, called Deeplink.me. In a nutshell, it’s a bit.ly for mobile app deep linking – meaning not necessarily just linking to the app itself, but to a specific page, section or - in the case of a mobile game – a specific level, within an application.
The link (deeplink.me/yourname), meanwhile, works from anywhere, whether web, mobile web, or any other native mobile application.
It can automatically detect where an end user is coming from and whether or not they have the necessary mobile app installed on their device. If the link is clicked on the web, it would simply point the user to the developer or publisher’s web version of that same content. If on mobile with no app installed, it could be configured to point to the app store or mobile website instead. And if the app is present, it could take you right to the relevant screen.
All of this is configurable, of course.
The idea came about as an offshoot of what Celllogic is currently building with Nextap, a content discovery network for mobile applications. Nextap is a much bigger product built on top of this deeplink technology, and, even pre-launch, it has paying customers. These include several large news publishers and a few big-name app and game developers.
During the development process for Nextap, the team decided to spin off the Deeplink tool, which will allow end users to move horizontally through apps.
As Cellogic CEO Itamar Weisbrod explains, Nextap’s customers wanted to use the technology as something of a “bit.ly for deep linking” so they could tweet out links, share them on Facebook, email and elsewhere.
“One of their biggest issues is that they’ve invested so much in these native apps, but they’re still silos,” says Weisbrod. “So we said, well, we have the analytics, we have this platform, we could just give you this one URL and you can generate the links for your apps, and you could then link to specific parts in your apps.”
The implementation requires minimal configuration on the app developer’s side since the function the link is calling is already present. Developers only have to add a few lines of code, Weisbrod says. And on Android, the company offers a sample “Intent” filter, as well, to help developers get started. (Intentions let Android apps kick off a specific action. They’re a part of the Android operating system, which handles deep linking fairly well, in comparison with iOS).
As you may know, the technology which enables app deep linking itself is not new.
In terms of simply opening up apps for you, Facebook has long since pointed its mobile users to apps on their phone from its own mobile application. It has now turned its ability to connect users to apps into a potentially strong revenue stream, as well. And with the debut of new Twitter “Card” types, it, too, has begun to explore how it can move users more seamlessly between Twitter apps and and content found in the broader mobile app universe, including products, photos, videos, articles, and more.
These are only the more recent efforts, however. A lesser-known example called PhotoAppLink, is an older open source initiative aiming to simplify photo editing by tying multiple photo-editing apps together using similar app-linking technology. Plus, an even earlier example came from a company called Zwapp, which tried to solve the problem by launcing OneMillionAppSchemes.com, a database that tried to open source the unpublished custom URL schemes for iOS applications.
Facebook and Twitter’s moves are still somewhat limited, however, and none of those earlier efforts really took off.
Weisbrod says the reason why those initial efforts failed is because there was no impetus for developers to use them. ”This is an actual service,” he says of Deeplink.me. “There’s value on top of just being database.”
With Deeplink.me, developers will have access to analytics, which details things like clicks per platform, the click-through rates, where users are coming from and more. This analytics feature will be improved in time, and the service will support plugging into other app analytics platforms in the future, too, like Flurry or HasOffers, for example.
Pricing for Deeplink.me has also yet to be set, but it will be a freemium service after the beta period completes.
A handful of Nextap’s customers are already using the platform, after joining a private test a few months ago. Now the beta is opening up a bit further: 100 beta accounts have been reserved for TechCrunch readers who sign up using this link.
This service could help solve some of the problems facing the ecosystem today – namely app engagement and usage rapidly declines after install, as apps are tucked away off of users’ homescreens in forgotten folders. Developers in turn, have to use increasingly spammy push notifications to encourage re-opens. Frustrated, users simply delete the apps bothering them. Having specific, deeplinked app content appearing when users click links they actually wanted to follow could instead be a more natural way to draw users back in to apps.
Though the details of how all this works is technical, if the company can spur adoption – still an unknown – the end result could be something which would allow a more natural way to move through apps on our phones and tablets, as well as from the mobile web to apps. Using apps could even begin to feel more like the web itself – that is, less isolated, more connected.
A brain drain at a big tech company is never a good thing, and when a lot of that departing talent consists of high-level execs moving on in rapid succession it’s bound to look like curtains to outside observers. That appears to be the case at HTC, which is losing a lot of senior execs according to multiple reports today from The Verge, CNET and Engadget, and a source has pointed us to yet another recent high profile departure.
We’ve learned at TechCrunch that HTC Senior Vice President of Global Marketing Greg Fisher departed the company just a few short months ago to Amazon. Fisher is among a growing list of known execs leaving HTC, including people on both the product and marketing sides of the equation. What we’re hearing suggests that the company is facing a lot of internal turmoil and politics, which is frustrating employees across the board.
The Verge reported earlier today that HTC’s Chief Product Office Kouji Kodera has departed as of last week, which is a considerable staff shift given that Kodera probably spearheaded HTC’s recent line of critically well-received devices, including the HTC One X and this year’s HTC One. The company has also seen the departure of Global Communications VP Jason Gordon, Global Retail Marketing Manager Rebecca Rowland, digital marketing chief John Starkweather and Eric Lin, manager of product strategy with the past three months.
And when it rains it pours, as HTC Asia CEO Lennard Hoornik confirmed to have left today, and Elizabeth Griffin, the Head of Global Digital Service for the Taiwan-based smartphone maker also reportedly hopping into the lifeboat in favor of a position at Nintendo (out of the frying pan and into the fire?).
This sizeable outpouring of talent comes at a crucial juncture for HTC, as it has just launched the HTC One, a flagship that CEO Peter Chou has literally staked his job upon. Chou so far seems to be secure in his position at the company, but if this trend of executive departures, he could soon wind up on his own at the top. Chou is apparently not the man people would like to have in charge, however, as The Verge reports that he and his tendency to make snap decisions are what’s behind this outbound tide of senior staff.
The HTC One is reportedly selling at a decent pace after a slow start, but HTC’s other sizeable bet, the First which comes pre-loaded with Facebook Home, looks to be on life support at best, if not entirely discontinued already.
If HTC is bleeding from the head, it’s possible it’s bleeding from the body, too. We’ve seen evidence to suggest that could be the case in the past, and we’ve also heard that it’s not just senior people who are looking towards greener pastures. It’s unlikely that we’ve seen the end of these leavings, either, so in the meantime we’ll be watching to see who’s next into the lifeboats.
Amazon has reportedly submitted plans for a new futuristic headquarters in Seattle that combines a skyscraper and a tri-sphere, bio-dome-like structure. According to the plans, the structure will be able to hold various forms of plant life and become a place where employees can “work and socialize in a more natural, park-like setting.”
Because, God forbid, employees walk to the park that’s three blocks away.
Here’s an excerpt from the plans (also, hat tip to GeekWire for the find):
While the form of the building will be visually reminiscent of a greenhouse or conservatory, plant material will be selected for its ability to co-exist in a microclimate that also suits people. To encourage growth and maintain the health of the plants, the building’s interior will include high bay spaces on five floors totaling approximately 65,000 SF and capable of accommodating mature trees. The exterior enclosure will be highly transparent and be composed primarily of multiple layers of glass supported by a metal framework. In addition to a variety of workplace environments, the facility will incorporate dining, meeting and lounge spaces, as well as a variety of botanical zonesmodeled on montane ecologies found around the globe. The building will be anchored at either end by publically accessible retail spaces entered from 6th and 7th Avenues.
Generally, it all sounds very cool and very futuristic and very trendy (read: Apple did the whole “plans for a spaceship” thing ages ago). However, it’s interesting to see how the biggest companies in tech are tackling the issue of working in an office or with a more loose structure.
Remember, everyone made a pretty big deal out of Marissa Mayer’s recent policy change that requires all Yahoo employees to work in an office. And just recently she announced that Yahoo would be taking up space in the Times building in New York’s Times Square, which is capable of housing up to 700 employees.
As it stands now, all of the big four tech companies — Google, Apple, Facebook, and Amazon — favor keeping employees in the office.
Google has one of the best campuses you could dream of, both in Mountain View and in New York, feeding employees free lunch from world-renowned chefs. Apple is working to build out one of Steve Jobs’ final projects, a new spaceship office. Facebook has the same diversions: chess boards, and video games, and basketball courts, and free lunch.
So of course, the fourth horseman in the race, Amazon is devising its own tricks to keep employees at the office as long as possible. It’s a win-win: Employees do more and better work due to a pleasing and comfortable work environment, and employers get more, and better work, out of their employees.
Also, there’s a perfectly good park just three blocks from the new campus.
Here’s the full set of plans:
Amazon’s new HQ design by John Cook
[Biodome rendering via NBBJ]
Runscope launched at the Glue conference today with $1.1 million in seed funding from True Ventures and Andreessen Horowitz for its tools that monitor API traffic and address the problems with broken APIs. Also participating were Lerer Ventures, and a group of prominent angel investors.
The Runscope tools come as software is scaling everywhere. And with software comes APIs, which are just a natural way to connect services. When web services ruled back in the IT glory age, software integrations were complex and expensive. Today REST-based APIs make it easy to connect apps. The problem is in the complexity of the distributed nature of building them.
Distributed apps have their own code. It may work across on-premise servers and a cloud provider’s network and servers. It will also use the API providers’ set of code and servers of their own.
It’s from this premise that Runscope built its tools. Designed initially for test and development, the tools will be offered for use in production in the coming months.
“The first thing we want to do is to start to give visibility into the conversations an app is having with other services,” said John Sheehan, Runscope’s CEO. This means building a tool that watches the API traffic and makes problems really visible.
“The real true promise is an app that has multiple distributed pieces but acts as one coherent application,” Sheehan said. “We are starting to realize it but the tools are geared toward building old style applications. For example, performance monitoring tools expect thart code issues are happening on your own servers.”
Runscope is built on Amazon Web Services EC2 and programmed in Python. The CTO, Frank Statton, was lead engineer at Twilio. The system is fault tolerant and was built by Ryan Park who comes from Pinterest. Sheehan worked at IFTTT before co-founding the company with Statton. Prior to IFTTT, Sheehan also worked at Twilio as the company’s developer evangelist.
The business model will in part stem from Runscope’s runtime, which generates data about API traffic. That data can be used for business intelligence. There is also the resilience the service can offer for customers and the assurance that mission-critical apps and their APIs can be watched and issues resolved before they become a major issue.
New Relic looks at the issues that Rusncope addresses from a performance standpoint, especially with a mobile SDK. API management providers such as Apigee and Layer7 are also playing in the space.
For years, the iPhone has carried a small etching on the back that says ‘Designed by Apple in California. Assembled in China.’
It’s fueled the stereotype that China is the world’s factory, but hasn’t had a flexible enough education system to produce R&D talent that can also design world-class products for a global audience.
But that’s a stereotype that isn’t exactly true anymore.
A small group of companies — both small, bootstrapped app startups and multi-billion dollar giants like Tencent — are showing that they can design apps or higher-end hardware with international appeal.
Tencent, one of the country’s gargantuan Internet powers with a market cap of $72 billion dollars, often likes to point out the international reach of its messaging app Weixin or WeChat. That app has blossomed to more than 190 million monthly active users over the past year and with about 40 million of registered users outside of China.
“I’m very glad to see the internationalization of Tencent,” said the company’s CEO Pony Ma this month at the GMIC conference in Beijing. He later added, “The manufacturing sector in China went globalized and the service industry can be internationalized as well…. It’s difficult, but if we can make it, it would be a revolution.”
Interestingly enough, WeChat’s growth abroad is being fueled by the Chinese diaspora — immigrants are taking WeChat with them to stay in touch with their families back home, according to app-tracking services like Onavo. They base this hypothesis on the correlation of WeChat active usage with that of other Chinese-language apps.
Younger Chinese startups are also building internationally as well. I met a Shanghai-based startup called Intsig two weeks ago that has a business card scanning app called Camcard with 50 million registered users and 10 million monthly actives, with half of them outside of China.
“A lot of people are surprised when they find out we’re a Chinese company,” said Louisa Cao, who heads marketing for the company. It helps that exchanging business cards is much more ritualized and formal in China and Japan than it is in the West, so that gives startups in Asia a competitive edge on understanding what consumers want in a product in this area. Similarly, messaging apps out of Asia like Line, Kakao and WeChat are leading the way, with Western startups like Path arguably borrowing some of their strategies like stickers.
Blux, another company out of Xian, the second-tier Chinese city that’s home to the famous army of Terra Cotta warriors, has built a higher-end photo app called Blux Camera that’s been featured by Apple more than 100 times on the iTunes homepage for global audiences. As the cost advantages that China has over Western markets narrows, the co-founder Jo Yin told me that it now can make economic sense to run global market-facing startups outside of the traditional hubs of Beijing and Shanghai (as they’ve become too expensive).
One of the reasons that all of these startups can built products for foreign audiences is because they’ve been trained either at Western universities or through working for multi-nationals. Some are run by “sea turtles” or Chinese who have returned home after years of working or studying abroad. Intsig’s CEO Michael Zhen spent years at Motorola where he picked up ideas on how to manage teams and think globally.
It’s also helped that the Chinese government has gone far in protecting and nurturing domestic technology companies and startups, a trend which continues with the government’s recent investment into a GPS alternative called Beidou and an Ubuntu-based OS that would help Chinese firms move off Western software platforms. Now that companies like Tencent have reached a certain prowess in domestic markets, they can look outwards.
To be fair, achieving global reach is something only a small fraction of local Chinese startups can do. It requires an international fluency; founders have to understand what kind of design and marketing attracts foreigners. Chinese web services can seem noisy and busy; they can be filled with more links and text as Mandarin characters are complicated to create on QWERTY keyboards.
There are even a few U.S. growth-stage companies that haven’t been dissuaded by Google’s very public about-face on the Chinese market and are hiring design and developer talent locally. Evernote recently launched a China-focused version of its enterprise service and they very intentionally took on local hires to develop product.
“It’s easy to sell your products everywhere. But when we say we want to be a global company, it’s because we want to make our products everywhere,” said Evernote CEO Phil Libin, when he launched Evernote for Business locally in China.
He went on to say that China’s copycat reputation is unfair.
“Chinese companies don’t have a good reputation for innovation in the West. The reputation that Chinese companies have is that they don’t really innovate. They just copy and I don’t think this reputation is right. It’s not a problem that Chinese companies copy. It’s that everyone copies. Chinese companies don’t just copy. They copy and improve. Copy and improve is what everyone does everywhere. That’s what Apple does. That’s what Microsoft does. That’s what Facebook does. Very few companies start with a first-of-a-kind idea.”
Indeed, probably the most interesting company to watch as it expands globally is Xiaomi, which did just that. They took Android and improved upon it.
They’re probably the best example of how China is moving up the value-chain from low-cost manufacturing into high-end design.
Just three years afters being founded, the company is on track to do $4.5 billion in handset and accessory sales. Some have made the metaphor that Xiaomi is the “Apple of Android” in that it’s an integrated hardware and software maker that has built its own special skin of Android and sells high-end hardware at or around the cost of materials. They compete head-to-head against Samsung in mainland China, and according to third-party mobile app analytic services like Umeng, they’re in second place.
Although Xiaomi will only publicly talk about its plans to sell handsets in Hong Kong and Taiwan, a source close to the company says it’s been on the lookout for a general manager that could bring their Android skin, the MIUI, to North American audiences.
They’ve been able to develop a rabid fan base locally in China because they allow people to participate in the designing of the phone by requesting features. Internally, they have small teams of engineers, product managers and designers that work alongside each other on a very fast cycle. They release a new version of the MIUI every week.
But they don’t know if the model will translate abroad yet. Chinese consumers are very comfortable with paying for the full-cost of the phones upfront and buying devices online instead of through brick-and-mortar stores.
“We don’t know how developed regions like Taiwan and Hong Kong will accept products like Xiaomi,” said co-founder Lin Bin in an interview. “Greater China is just one step beyond mainland China.”
Another photo sharing app bites the dust? Or is something with promise getting another chance? Either way you look at it, betaworks is adding more technology and team members to its arsenal, as photo sharing app Piictu has announced that the team will “join forces” with a betaworks company that has yet to launch.
Piictu had raised $1.73 million in seed funding, yet never really took off. The app allowed you to share photos with captions, but Piictu wanted to focus on letting photos start conversations, rather than sit in a stream waiting for likes. The app’s approach was to get you to share photos in context of what you were doing.
Here’s what the Piictu team shared today, including instructions on how to get your photos out of the service. You’ll have until June 7th to do so:
Piictu is joining Kandu (a Betaworks company)!
We’re excited to announce that Piictu is joining forces with Kandu – “a Betaworks company” that shares our vision and ideals of how technology is a catalyst for a better and richer world. Together we will continue to build and bring users great products and experiences for a brighter future.
Obviously, this news doesn’t come without hardship. Unfortunately, the Piictu app will no longer be available. The important thing: You will not lose any of your photos and we trust you will reconnect with all your piictu-friends on other networks like tumblr, kik, twitter and instagram – some of our fave.
Over the past two years we’ve had the opportunity of supporting and sharing unique moments of our lives in pictures. Piictu was built on the idea that “the change in use of photography” is opening new opportunities to communicate and interact as humans. We’ve seen this stand true and flourish not only on piictu, but on other networks as well.
On Friday May 31st, the piictu app will no longer be available. You’ll be able to download your photos until Friday June 7th by following the instructions here
From the entire team we want to thank you for the great energy, trust and support you have brought to the community and we look forward to bringing you more fun, exciting and heartfelt products in the future.
No terms were made available, but we’ve reached out to betaworks for comment. However, this does feel like a stay of execution for an app that never took off.
Again, it’s not known what Kandu is exactly, but we assume that it will have something to do with photography. Another betaworks product, Giphy, has been moving along quickly to provide a home for all of those awesome animated GIFs that we like to share.
During TechCrunch Disrupt, betaworks CEO John Borthwick discussed his vision for the company, calling it a “puzzle.” What Borthwick and team are doing is bringing together the most useful parts of services, be it Digg or an eventual Google Reader replacement, and creating a suite with them. How it will all look once it fits together is unknown, but betaworks is on a bit of a roll after launching its game Dots recently.
Google’s Drive app for Android just got a major redesign that brings the Google Now-like card-style look the company introduced with Google Now to its mobile productivity app.
This new look, which Google says is cleaner and simpler than the previews design, will likely be the first thing users notice, but the company has also added a number of new features to the app. Most of these are small, such as the ability to download copies of your files to your Android device, but the new document-scanning features open up a whole new range of use cases for Drive.
The scanner tool, for example, which you can now find under the “Add New” menu, allows you to easily turn paper documents like receipts, letter and billing statements into PDFs. Thanks to Google’s advanced optical character-recognition technology, you can also easily search them later on. This definitely feels a bit like Evernote and it’ll be interesting to see if Google will continue to go down this path in the future updates to the app.
Also new in this version is an updated editing experience for Google Sheets spreadsheets. Users can now adjust font types and sizes for their spreadsheets and change cell text colors and cell alignment right from the application. The app now also finally supports Google’s Cloud Print.
Shashi Seth, whose résumé includes management and executive roles at Yahoo, Aol, and Google, is joining the Tribune Company as the president of a new unit called Tribune Digital Ventures.
Seth’s role was first reported yesterday at AllThingsD, and the company is now confirming the news. It says Tribune Digital Ventures will operate as an independent unit based in Silicon Valley.
Seth told me that his job will be to develop new products around Tribune content, making sure that it “gets used appropriately on the Internet and mobile side.” A big part of that is finding new ways to circulate traffic between Tribune’s different properties, whether they’re in print (it publishes newspapers including the Chicago Tribune and the Los Angeles Times), broadcast or digital. The goal, he said, is to create “a network effect across these disparate mediums and build a bridge between them.”
It sounds like partnering with startups is going to be a part of that mission. As for whether that will involve making startup investments, Seth said, “It is within the realm of possibility, but I think first and foremost we have to come up with a strategy.”
Seth left Yahoo in January, where he was most recently the senior vice president of its Connections business unit, which included products like Yahoo Search and Mail. He has also been the senior vice president of global ad products at Aol (which owns TechCrunch), head of monetization at YouTube, and search product lead at Google. He has startup experience as well, founding and serving as CEO of a wireless startup called Conexo and chief revenue officer at Cooliris.
“I’m fascinated and disappointed at the same time with what the traditional media world is going through,” Seth said when asked why he joined the Tribune Company. “I know and feel it in my heart that the content itself is amazingly valuable. … I think newspapers and broadcasters have given up the ownership of that space to the new Internet world. What I’d love to do is find a way to actually reclaim it.”